KREATIVITÄT – Was ist das?

Zum Artikel von Frau Monika Reuter über KREATIVITÄT – WAS IST DAS? – veröffentlicht in der Dezemberausgabe 2012 – finden Sie hier das umfangreiche Literaturverzeichnis sowie den Anhang:


Aleinikov, Andrei G., Sharon Kackmeister, und Ron Koenig. 2000. Creating Creativity: 101 definitions (what Webster never told you). Midland, Michigan: Alden B. Dow Creativity Center Press

Alexander, Victoria. 2003. Sociology of the Arts: Exploring Fine and Popular Forms. London: Blackwell Publishing, Journal of Personality and Social Psychology

Amabile, Teresa, Regina Conti, Heather Coon, Jeffrey Lazenby und Michael Herron. 1996. “Assessing the Work Environment for Creativity,” Academy of Management Journal, 39(5): 1154-1184

Babbie, Earl. 2010. The Practice of Social Research. Belmont, CA: Wadsworth

Barron, Frank. 1999. “All Creation is a Collaboration,” pp 49-60 in Montuori, Alfonso and Ronald E. Purser, op.cit.

Bartesaghi, Mariaelena. 2011. “Social Construction: Re-Opening the Conversation, Reconstituting the Possibilities,” The Electronic Journal of Communication/La Revue Electronic de Communication. 08/07.

Becker, Howard S. 1982. Art Worlds. Berkeley: University of California Press

Berger, Peter L. and Thomas Luckmann. 1967. The Social Construction of Reality: A Treatise in the Sociology of Knowledge. NY: Anchor Books

Bijker, Wiebke, Thomas P. Hughes und Trevor J. Pinch. 1987. The Social Construction of Technological Systems: New Directions in the Sociology and History of Technology. Cambridge, Ma: MIT Press

Birkenmeyer, Beat und Harald Brodbeck, 2010a. “Innovation ist fuehrbar !” in Wunderwaffe Innovation: Was Unternehmen unschlagbar macht – ein Ratgeber fuer Praktiker. Orell Fuessli Verlag

Birkenmeyer, Beat und Harald Brodbeck, 2010b. “Stellschraube Innovationsinstrumente. Auf die Anwendung kommt es an !” in Wunderwaffe Innovation: Was Unternehmen unschlagbar macht – ein Ratgeber fuer Praktiker. Orell Fuessli Verlag

Bourdieux, Pierre.  1979.  Distinction: A Social Critique of the Judgment of Taste. London: Routledge

Bronson, Po und Ashley Merryman. 2010. “The Creativity Crisis – for the first time, research shows that American creativity is declining. What went wrong – and how we can fix it.” Newsweek Special Edition: The Science of Innovation and how to reignite our imaginations. July 19: 44-50

Brown, Tim und Jocelyn Wyatt. 2007.  “Design Thinking for Social Innovation,” Stanford Social Innovation Review, Stanford Graduate School of Business,

Carter, David (Hrsg.) 2005. Creativity 34: Bright Ideas in Advertising and Design from Around the World. China: Collins Design

Catmull, Ed. 2008. “How Pixar Fosters Collective Creativity,” in Harvard Business Review, September: 64-72

Collins, Randall. 1998. The Sociology of Philosophies: A Global Theory of Intellectual Change,” Cambridge, Mass.: The Belknap Press of Harvard University Press

Cooper,  Anderson. 2010.  “Chef Jose Andres’ Culinary Wild Ride,” 60 Minutes – CBS News, 2. Mai und A 6. August

Crawford, Matthew B. 2009a. Shop Class as Soulcraft: An Inquiry into the Value of Work. NY: The Penguin Press

Crawford, Matthew B. 2009b. “After acquiring a Ph.D. and an information-age resume, I opened a motorcycle-repair shop. And that’s where I learned to think. The Case for working with your hands.”New York Times Magazine. May 24.

Cropley, Arthur.  2009. Creativity in Education and Learning: A Guide for Teachers and Educators. NY: RoutledgeFalmer

Csikszentmihalyi, Mihaly. 1996. Creativity: Flow and the Psychology of Discovery and Invention. New York: Harper Collins Publishers

Csikszentmihalyi, Mihaly. 1999. “Implications of a Systems Perspective for the Study of Creativity,” pp 313-338 in Sternberg (ed.), op.cit.

Ekvall, Goeran. 2000. “Management and Organizational Philosophies and Practices as Stimulants or Blocks to Creative Behavior: A Study of Engineers.” Creativity and Innovation Management, 9 (2): 94-99

Ellis, Havelock. 1904. A Study of British Genius. London: Hurst and Blackett, Limited, digitized by google:

Eysenck, Hans J. 1994. “Creativity and Personality: Word Association, Origence and Psychoticism,” in Creativity Research Journal, Vol. 7 (2) 209-216

Feldman, D.H. and Howard Gardner. 2003. “The Creation of Multiple Intelligences Theory. A Study in High-Level Thinking,  S. 139-185 in Sawyer et al., op.cit.

Fischer, Guenther. 1993. “Kreativitaetsforschung – Chaos: Der creative Weg zur Ordnung”  FOCUS Magazin. Nr. 12 (MON, 22. Maerz)

Flora, Carlin. 2009. “Everyday Creativity, Everyday Genius” in Psychology Today, November/December

Florida, Richard. 2002. The Rise of the Creative Class; and How it’s transforming work, leisure, community, and everyday life.New York: Basic Books

Galenson, David W. 2009. “Understanding Creativity.” Paper prepared for the Center for Creativity Economics, Universidad del CEMA, Buenos Aires

Gergen, Kenneth. 1999. Invitation to Social Construction. Los Angeles: Sage

Gerke, Rainer. 2010. “Hans Joas, ‘Die Kreativitaet des Handelns’”.

Geschka, Horst. 2010.  “Das Offene Problemloesungsmodell (OPM) und andere Problemloesungsstrategien,” S. 82-100 in J. Preisz (ed.), Jahrbuch der Kreativitaet, Koeln: JPKM

Gimmler, Antje. 2006. “Creativity, Pragmatism and the Social Sciences: A Discussion between Hans Joas and Richard Sennett,” in Distinktion: Scandinavian Journal of Social Theory, Vol. 2006, No. 13:  5-33

Gladwell, Malcolm. 2002. The Tipping Point – How Little Things Can Make a Big Difference. New York: Little, Brown and Company.

Glaveanu, Vlad. 2011. “Creativity: A Social Approach,” Psychology for All Workshop, University of Westminster, March 26.

Guilford, J.P. 1950. “Creativity,” The American Psychologist, 5: 444-454

Holm-Hadulla, Rainer M., Martin Roussel and Frank-Hagen Hofmann. 2010. “Drepression and Creativity – The case of the german poet, scientist and statesman J.W.v.Goethe.” Journal of Affective Disorders.

Hsieh, Tony. 2010. Delivering Happiness. New York: Business Plus

Joas, Hans. 1992. Die Kreativitaet des Handelns. Frankfurt/M: Suhrkamp Taschenbuch

Kao, John. 2008. Innovation: Wie sich die USA & Europa neu erfinden koennen. Hamburg: Murmann Verlag

Kirkpatrick, Monica  und Jeylan T. Mortimer, 2011. “Origins and Outcomes of Judgment About Work,” Social Forces, Vol. 89: No. 4, 1239-1260

Langer, Fred.  2011. “Wie es den Kindern geht? Fantastisch: Wenn kleine Forscher nach verborgenen Fakten graben, ist stets eine wundersame Macht mit im Spiel: die Fantasie. Erwachsene Wissenschaftler erkennen in ihr das wichtigste Werkzeug der Weltaneignung. Und jene Kraft, die uns zu Menschen macht,” Geo – Die Welt mit anderen Augen sehen, 7 Juli, 129-144

Latour, Bruno. 1987. Science in Action.  Cambridge, Mass: Harvard University Press

Laszlo, Ervin. 1999. “The ‘Genius Hypothesis’: Exploratory Concepts for a Scientific Understanding of Unusual Creativity,” S.: 317-330 in Montuori, Alfonso and Ronald E. Purser (Hrsg.). 1999. Social Creativity, Volume 1. Cresskill, NJ: Hampton Press, Inc.

Lehrer, Jonah. 2012. How Creativity Works. NY: Houghton Mifflin Harcourt

Lombroso, Cesare. 1911. Criminal Man. NY: The Knickerbocker Press.

Lombroso, Cesare. 1896. The Man of Genius. Ed. By Havelock Ellis, NY: Waltr Scott Ltd.

Lubart, Todd I. und Mark Runco. 1999. “Economic Perspective on Creativity,” pp 623-627 in Runco and Pritzker (eds.), op.cit

Ludwig, Arnold M.. 1995.The Price of Greatness: Resolving the Creativity and Madness Controversy.

Maisel, Eric.  Fearless Creating: A step-by-step guide to starting and completing your work of art. 1995. Jeremy P. Tarcher/Putnam Books, NY: G.P. Putnam & Sons

Mankeltow, James und Rachel Thompson. Undatiert. . “Not Creative? Think Again!”  Mindtools Newsletter No. 191.

Markman, Arthur B. und Kristin L. Wood. (eds) 2009. Tools for Innovation. Oxford: Oxford University Press.

Martin, Roger L. 2011. “The Innovation Catalysts – The best creative thinking happens on a company’s front lines. You just need to encourage it,” Harvard Business Review, June

Mehlhorn, Joerg. 2010. “Jeder Mensch ist kreativ!” S.: 291-308 in Harland, Peter E. and Martina Schwarz-Geschka (Hrsg.) 2010. Immer eine Idee Voraus: Wie innovative Unternehmen Kreativitaet systematisch nutzen, Lichtenberg (Odw.) Harland Media

Merkel, Angela.  2006. “Speech at the World Economic Forum, Davos, 25 January 2006.”

Michalko, Michael. 2001. Cracking Creativity: The Secrets of Creative Genius. Berkeley, CA: Ten Speed Press

Montuori, Alfonso and Ronald E. Purser (Hrsg.). 1999. Social Creativity, Volume 1. Cresskill, NJ: Hampton Press, Inc.

Moreau, C. Page und Darren W. Dahl. 2009. “Constraints and Consumer Creativity,” S.: 104-127 in Markman and Wood (Hrsg.), op.cit

Neffe, Juergen. 2008. Darwin. Das Abenteuer des Lebens. Muenchen: C. Bertelsmann

Oldach, Mark. 1995. Creativity for Graphic Designers: A real-world guide to idea generation – from defining your message to selecting the best idea for your printed piece.  China: North Light Books

Orbach, Barak Y. 2002. “The Law and Economics of Creativity in the Workplace.” Discussion paper No. 356, Harvard Law School, The Center for Law, Economics and Business. Downloaded from

Paul, Elliott Samuel and Scott Barry Kaufman. 2010. Organizers. A Conference on The Philosophy of Creativity, Barnard College, Columbia University, October 28-20

Paulus, Paul B. 1999. Group Creativity, S.: 779-784 in Runco and Pritzker, (Hrsg.), op.cit.

Pettinger, Lynne. (undated). What is Creativity? A Sociological Exploration.

Raina, M.K. 1999. “Cross-Cultural Differences,” S.: 453-464 in Mark A. Runco und Steven R. Pritzker, (Hrsg.), op.cit.

Reckwitz, Andreas.  2012.  Die Erfindung der Kreativitaet – Zum Prozess Gesellschaftlicher Aesthetisierung. Berlin: Suhrkamp Taschenbuch Wissenschaft

Rettig, Daniel. 2010. “Lassen Sie keinen Stress entstehen – Der deutsche Kreativitaetsforscher Rainer Holm-Hadulla ueber die wichtigsten Regeln fuer mehr Einfallsreichtum” Wirtschaftswoche (WIWO). July 26

Richards, Ruth. 1999a. “Everyday Creativity,” S.: 683-687 in Runco and Pritzker (Hrsg.), op.cit

Richards, Ruth. 1999b. “Four Ps of Creativity,” S.: 733-741 in Runco and Pritzker (Hrsg.), op.cit

Riedemann, Kai. 2011. “Entschluesselt – Der Einstein-Code: Dem Geheimnis der Genies auf der Spur,” in Hoer Zu, 20.5., pp 10-13

Ritzer, George. 1996. The McDonaldization of Society. Thousand Oaks, CA: Pine Forge Press

Robinson, Ken. 2006. We are Educating People Out of their Creativity.  TED Ideas Worth Spreading. TED: Ideas Worth Sharing. TED: Ideas Worth Sharing. 15 May 2010. <;

Runco, Mark A. 1997. The Creativity Research Handbook, Vol. I. Cresskill, NJ: Hampton Press

Runco, Mark. A. und Steven R. Pritzker (Hrsg.) 1999. Encyclopedia of Creativity (Vol. 1 (A-H), San Diego, CA: Academic Press

Sawyer, R. Keith. 2007. Group Genius, The Creative Power of Collaboration. NY: Basic Books

Sawyer, R. Keith; Verta John-Steiner, Seana Moran, Robert J. Sternberg, David Henry Feldman, Jeanne Nakamura und Mihaly Csikszentmihalyi. 2003. Creativity and Development.  NY: Oxford University Press

Schoen, Donald. 1987. Educating the Reflective Practitioner: Toward a New Design for Teaching and Learning in the Professions. San Francisco: Jossey-Bass Publishers

Schuldberg, David. 1999. “Chaos Theory and Creativity,” S.: 259-272 in Runco and Pritzker (Hrsg.), op.cit

Seidman, Steven. 2010. The Social Construction of Sexuality (2nd ed.) New York: W.W. Norton & Company

Sennett, Richard. 2008.The Craftsman. New Haven: Yale University Press

Simonton, Dean Keith. 1999. Genius, Creativity, and Leadership: Historiometric Inquiries. Cambridge, Mass.: Harvard University Press

Smith, Gudmund. 2008.  “The Creative Personality in Search of a Theory,” in Creativity Research Journal, 20: 4, pp 383-390

Smith, Angela. (undatiert). “Intuitive Creativity.”…/intuitivecreativity.rtf

Stauffer, Dennis. 2005. Thinking Clockwise: A Field Guide for the Innovative Leader .Minneapolis, MN: MinneApple Press

Sternberg, R.J. und Todd Lubart. 1999. “The Concept of Creativity: Prospects and Paradigms,” S.: 3-15 in Sternberg, R. (Hrsg.) Handbook of Creativity, Cambridge: Cambridge University Press

Sternberg, Robert J. 2006. “The Nature of Creativity,” in Creativity Research Journal, 18: 1, S.: 87-98

Summers, Joshua D., Srinivasan Anandan, und Sudhakar Teegavarapu. 2009. “Introduction of Design Enabling Tools: Development, Validation, and Lessons Learned,” S.:  195-215 in Markman and Wood (Hrsg.), op.cit.

Tanner, Jeremy (ed.) (2003). The Sociology of Art: A reader. London: Routledge

Tepper, Steven J. 2003.  “Creativity, Innovation and Society,” Course Syllabus for Sociology 214 at Princeton University

Tharpe, Twyla (mit Mark Reiter). 2003. The Creative Habit: Learn It and Use It for Life. NY: Simon & Schuster

Toennesman, Jens. 2009. “Das groesste Problem der Menschheit ist armseliges, unkreatives Denken – Interview mit Edward de Bono” Wirtschaftswoche (WIWO)  12. Februar

Torrance, E. Paul. 1962. Guiding Creative Talent. Englewood Cliffs, N.J.: Prentice-Hall, Inc.

Tversky, Barbara und Masaki Suwa. 2009. “Thinking with Sketches,” S.: 75-84 in Markman and Wood (Hrsg.), op.cit

Von Oech, Roger. 1990. A Whack on the Side of the Head. How you can be more creative. Stamford, CT: U.S. Games Systems, Inc.

Vygotsky, Lev. 1971. The Psychology of Art. Cambridge, Mass.: MIT Press

Winfrey, Oprah, 2001. “Oprah talks to Julie Taymor. The Tony Award-winning director and artist – and the roar behind Broadway’s The Lion King – pounces on the subject of creativity: its spark, risk, and heart-stopping power,” S.: 206-209 und 282-284 im Oprah Magazine,

WLRN.  PBS Radiosender,



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